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Tuesday, May 15, 2018

Film Night : Flyer Archive : Collective Brand Movement









Straight to Hell, directed by Alex Cox, 18.May.2018, @ The Mothership prev Eris Temple, introduction by Chris Gullo & David Stanley Aponte






Metropolis, directed by Fritz Lang, 10.March.2005, Hamilton auditorium @ PAFA, introduction by Dan Miller







Tales from Gimli Hospital, directed by Guy Maddin, 24.March, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts, introduction by Dr. K. Malcolm Richards







Short films by Stan Brakhage, 20.April, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts, introduction Rick Henderson and performance by City of Horns







The Fast Runner, directed by Zacharias Kunuk, 12.April, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts







Dreams, directed by Akira Kurosawa, 26.January, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts, introduction by Alex Cohen







The Adjuster, directed by Atom Egoyan, 19.January.2006, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts, introduction by Dr. K. Malcolm Richards







Careful, directed by Guy Maddin, 8.December, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts, introduction by Dr. K. Malcolm Richards







Akira, directed by Katsuhiro Otomo, 8.September, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts, introduction by Dr. K. Malcolm Richards






Down by Law, directed by Jim Jarmusch, 23.February, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts, introduction by Poliana Irizarry







Contempt, directed by Jean-Luc Godard, 9.March, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts, introduction by Dr. K. Malcolm Richards







Open City, directed by Roberto Rossellini, 16.March, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts, introduction by John Horn







Heart of Glass, directed by Werner Herzog, 29.September, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts, introduction by Trevor Twist and David Stanley Aponte







Color of Pomegranates, directed by Sergei Paradjanov, 15.September.2006, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts, introduction by David Stanley Aponte







Battle Ground 21 Days on the Empire's Edge,  by Guerrilla News Network, 13.April.2007, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts, introduction by Coalition of PAFA students against the war in Iraq







Punishment Park, directed by Peter Watkins,  and The Devils, directed by Ken Russell, 23.September.2008, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts







Hรคxan (Witchcraft through the Ages),  directed by Benjamin Christensen, October,2006, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts, introduction by David Stanley Aponte and with live performance by MFM







Brazil, directed by Terry Gilliam, 15.December, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts, introduction by Dr. K. Malcolm Richards







The Passion of Joan of Arc, directed by Theodor Dreyer, 21.March.2008, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts, with live performance by MFM







Stalker, directed by Andrei Tarkovsky, 6.October, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts, introduction by Mikhail Sabodzhan








Dr. Strangelove or How I learned to stop worrying and love the bomb, directed by Stanley Kubrick, 18.October, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts, introduction by Dr. K. Malcolm Richards







Rivers and Tides working with Andy Goldsworthy, 3.February, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts, introduction by Dr. K. Malcolm Richards






The Man Who Laughs, directed by Paul Leni, 31.October, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts, with live performance by MFM







Dr. Mabuse the Gambler, directed by Fritz Lang, 4.December.2009, Hamilton auditorium @ Pennsylvania Academy of the Fine Arts, with live performance by MFM








Monday, May 14, 2018

Subreal Atlas : Images










































































































































Subreal Alchemy ::: Outgoing mail art ::: Part III

These figures are based from drawings of a fictional person who appeared in dreams in 2011 in Philadelphia Pennsylvania and Berlin Germany. In May 2018 I started with one stencil based on one of the drawings which was in a sketchbook. This is some of the pieces made from the stencil which have been sent out to various people around the world through the mail.



David Stanley Aponte, Sub- #1874, acrylic spray paint stencil on card stock board, 2018







David Stanley Aponte, Sub- #2219, acrylic spray paint stencil and collage on cardboard, 2018








David Stanley Aponte, Sub- #2235, acrylic spray paint stencil on card stock board, 2018







David Stanley Aponte, Sub- #2238, acrylic spray paint stencil and collageon museum board, 2018








David Stanley Aponte, Sub- #2271, acrylic spray paint stencil on card stock board, 2018








David Stanley Aponte, Sub- #2275, acrylic spray paint stencil and collage on museum board, 2018






David Stanley Aponte, Sub- #2289, acrylic spray paint stencil on card stock board, 2018







David Stanley Aponte, Sub- #2293, acrylic spray paint stencil on cardboard, 2018








David Stanley Aponte, Sub- #2309, acrylic spray paint stencil and collage on Bristol paper, 2018






David Stanley Aponte, Sub- #2335, acrylic spray paint stencil on cardboard, 2018







David Stanley Aponte, Sub- #2339, acrylic spray paint stencil and collage on cardboard, 2018








David Stanley Aponte, Sub- #2353, acrylic spray paint stencil on card stock board, 2018







David Stanley Aponte, Sub- #2361, acrylic spray paint stencil on cardboard, 2018


























Wednesday, March 21, 2018

Sleep: A log of remembered dreams, Vol. I







4.April.2018 West Philadelphia


In a strange land in an altered reality much similar to the one we are in now, one night I ate a part of a rare tree called “the Japanese ghost mushroom tree”. It grew in the front of what was my grandparents house and was a grand tree at perhaps the height of fifty feet or greater. The blue roots had the magic ability of insight and I had to dig down around the trunk to get underneath to pick one of the central blue roots. The tree grew large with a think truck and the bark was white like the color an texture of a birch. After picking one of the blue roots, I ate it as I walked to the garage where another tree that was grey like a maple was growing from inside of the garage. The trunk was hollow and inside it was clean and smooth like fine woodwork with a natural finish. I crawled into the trunk which was my secret way to get to the 2nd floor the house but I stayed sitting inside of the trunk. after awhile I curled up in the tree trunk and started to shout “i, i, i, i, i, i….’ over and over again while a friend was outside of the tree trunk started to recite a monologue to me about the secrets of the universe in the voice of Jeff Goldblum. I do not know who this friend was but I can say I was very close to them and they knew me very well. 

the dream broke and I awoken…

I had woken myself up yelling  “i, i, i, i, i, i….” and I realized I was in my bedroom in West Philadelphia curled up at the head of my bed between two pillows. My first thought was “could my neighbors just hear me yelling through the walls”. My mouth was dry as cotton and had the taste of wood pulp and i was covered with sweat. I went to get a glass of water and check the time which was “3:23 AM Wednesday 4th April 2018”. I looked out the window of my bedroom and it there is a thick fog outside and all was quite.






20.March.2018 West Philadelphia

Woke up 02.30 from a nightmare. In the nightmare I was working at a nuclear power plant and a melt down was happening. There was no one else around and the situation was critical so I had to put on suit for protection and go in by myself. The radiation was going through my protective suit and I was alone and frustrated trying to stop the melt down. I was growing tired and loosing hope as my face felt burnt and sweaty. Part of me just wanted to give up but I knew if I didn't try to stop it many people would die but i knew either way if I stopped the melt down or not I most likely would die.
I woke up from the nightmare covered with sweat, with an asthma attack gasping for air.





2004: Remembering a dream from 1306 Pine Street

I had a dream that I remember quite will from the year 2004, when I lived at 13th and Pine Street in my first year of art school. I remember this dream as if it was a movie that was made. 

In the dream we lived in a post apocalyptic society where most people were effected by a disease that caused them to become zombies. There was mostly two factions of people who survived in this zombie world in the city a group of rogue military based folk who where constantly fighting the undead to survive each day and the other group was a secret group which was made up of a faction of mages. The militarized group drove around with reclaimed military vehicles and had sectioned off part of the city as their fort and base. The order of mages had an area up a hill in a area that had victorian houses and trees where using a form of ancient magic sectioned off a peaceful section of the city that was small of very nice and well kept. The order of mages had ancient knowledge that they kept that was to be used to reboot society after all the zombies slowly died off. their job was to wait and prepare to reset communities passing down this knowledge and skills from before the great disaster that created the undead. The mages knew that such similar things have happen before on this earth and it was time for it to happen again.

In this dream I was about to be initiated into this order of mages with my skills as a printmaker and knowledge of alchemy. I was to go to a late victorian style house in the “mage zone” and enter the house where my initiation would begin. As I entered this mysterious house I realized the whole first floor of the house was a maze that I had to walk through and after the threshold of the door there was no floor at all and only a black void of what I guessed was the basement below. Somehow without instruction I knew I must find my way through this maze and over come falling into the void below by walking using my will on an invisible floor my mind would create. I had to stay focused and I won’t say it wasn’t hard as I walked through this maze. As I got close to the end of the maze I got a little nervous and started to sink into the void but i quickly stepped forward and stepped out of falling and reached the rear threshold of the house which was a strong granite block at the doorway to the basement. I had to jump up a bit to land both of my feet onto the block as I entered through the door and down the stairs to the basement. 

As I got to the bottom of the stairs I was in a large basement room which was like most basements a bit dark and dusty but a party was going on with food, kegs of beer, music playing. My friends were there and the other mages and everyone crowed around me saying “congratulations Dave you passed the test and now we are going to have a party to celebrate”.


- David Stanley Aponte, Collective Brand Movement Studio, West Philadelphia, 21.May.2018






Delia Derbyshire - "Falling", from The Dreams (1964)
https://www.youtube.com/watch?v=WCF_mHKBH3k

Saturday, December 2, 2017

w3rd








DAVID STANLEY APONTE, painter, printmaker, poet, DJ and creator of various mad personae and semi-bogus digital communities, draws his main inspiration from the avant-garde of the twentieth century. Pataphysics. Dada. Fluxus. Situationism. Punk Rock and Hip-hop. Yet his praxis is situated firmly in this twenty-first century moment: where curation is almost as vital as creation, where the merging of life and art, that dream of those bygone postmoderns, is coming true in many ways both good and bad. Though Aponte rejects the notions of “the end of history” and the virtual impossibilty of social progress; much of his work pays homage to his Marxist and anarchist revolutionary heroes. 

Aponte has been a part of underground music scenes in Chicago, Dallas and Berlin, as well as here in Philadelphia, where he hopes to establish a genuine countercultural community of artists, revellers and radicals. He has helped create a postal art network, wherein writers and visual artists around the world share their work and collaborate, utilizing old school snail mail. He has plans to found a religion. The work itself, Aponte says, is secondary. “it’s more about creating a space for connection and conversation.”    

-Chris Gullo, West Philadelphia, December 2017